Why ‘A Ghost Story’ is a modern day masterpiece

 

There was something about the first look of A Ghost Story that was so brilliant, I couldn’t wait to watch the film. Everything seemed minimal, well designed and in some ways like a painting. After waiting for the film for quite a few months, I finally had a chance to watch it. I was awestruck. The film blew me away.
David Lowery’s imagery is thought provoking and extraordinarily immersive.

Here’s a summary describing the film via IMDB :

“In this singular exploration of legacy, love, loss, and the enormity of existence, a recently deceased, white-sheeted ghost returns to his suburban home to try to reconnect with his bereft wife.”

The film is simply fascinating. Anything more than that brief ^ would be giving too much away. Lowery uses long takes, gorgeously designed shots, incredible silences and creates a truly immersive experience. Needless to say, we are mostly watching the film from the Ghost’s point of view. Lowery’s depiction of the wandering ghost is so compelling, it forces you to think and rethink a lot of theories you might have heard about ‘life after death’.

The film is far from a horror. It’s more of a fantasy, drama and in some sense, a journey movie. Needless to say, the film is thoroughly original in it’s entirety. There’s a scene quite early in the film between the Ghost and Rooney Mara that for me, was on par with some of the best scenes from Spike Jonze’s Her. The strangeness, mysteriousness and ambiguity used to establish such an emotional connect has been done so brilliantly only a few times in modern day cinema.

A Ghost Story is a modern day masterpiece. David Lowery has created something so fascinating and original that it will be remembered as a benchmark indie film for years to come.

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About Ronak Kamat

Writer, filmmaker, photographer. View all posts by Ronak Kamat

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